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Special Features

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  Every month Bad Dog Blues will take an in depth look at various aspects of the blues such as musician portraits, interviews, blues history and more. This month we review a the 8th annual Pocono Blues Festival .

"I went over there one Wednesday
Got in trouble with the law,    
The man he locked me up,       
I ain't going back, I ain't going back to East St. Louis"

(Arthur Williams, Ain't Going Back to East St. Louis)

  8th Annual Pocono Festival   

  Well it's been about a month since the Pocono Blues Festival and I swear I'm still in a blues haze! For two sunny days a record crowd was treated to a stellar blues lineup. For fans of the real deal blues this festival has to be one of the best in the country.

  Local bluesman Chris Beard started things off playing some hot guitar backed by a tight horn section. Chris got the crowd pumped when he jumped off the stage and played right in the audience.

  After Chris I hiked over to the Performance Tent which is a much smaller, intimate setting  and where I ended up spending a lot of my time. Jimmie lee Robinson laid down a strong set of acoustic blues. Up next in the tent was Henry Butler who played some tremendous New Orleans piano. Sounding like a cross between Professor Longhair and James Booker the tent was rocking as he pounded his piano so hard you could see it move across the floor. I missed Arthur Williams first set but was lucky enough to catch him in the evening. No doubt this was the highlight of the festival for me as Williams and the band had the tent jumping with their brand of tough juke joint blues. James "Boo Boo" Davis belted out the blues behind his drum set whipping the crowd into a frenzy on "Ain't Going Back to St. Louis." Speaking of frenzy when the set ended the announcer began to incite the crowd to near riot and I thought the tent might actually collapse!

  In the afternoon Roy Gaines blew away the crowd with his guitar pyrotechnics while playing on his back and doing splits. Up next was Son Seals, just back from having a leg amputated, who played some blistering guitar backed by Eddie Shaw and The Wolf Gang. Van Shaw was astonishing on guitar and at times stole the show from Son. Son was still around the next day even sitting in with Charlie Musselwhite for a few numbers.

  Wrapping things up on Saturday was Irma Thomas who snag beautifully and has not lost a thing in her forty years of singing.

  Sunday was soul day at the festival with Johnny Rawls and Otis Clay proving that soul music is still a mighty force. Rawls worked the crowd like a pro mixing in a set of soul and blues. As good as Rawls was Otis Clay showed why he's one of the world's premier soul men. Clay laid down a sizzling clinic in what soul music is all about backed by powerhouse band.

  Shemekia Copeland has be getting  a lot of attention of late and she didn't disappoint. Shemekia rocked the crowd with her booming vocals and at times it didn't even seem like she needed a mike.

  Back again to the Performance Tent to see both sets by Honeyboy Edwards who strode on to the stage wearing a Y2K hat- truly strange! Honeyboy mesmerized the crowd with a tough set of delta blues that belied his 83 years. Watching intently from the front row were James Harmon, Jimmy Lee Robinson and Little Sammy Davis. Also playing the tent was JSP artist Cookie McGhee who learned guitar from her Texas neighbor Freddy King. McGhee was a real surprise cranking out some great blues riffs.

  This was a blues festival for the ages with great music and excellent facilities. Make sure to mark this one on your calendar now.

Review by Jeff Harris

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