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Sun Records
Studio Declared Landmark
Secretary
of the Interior Gale A. Norton announced July 31st that
Sun Records, Memphis Recording Service located in Memphis,
Tenn., has been designated as a National Historic Landmark.
The small brick building on 706 Union Ave. was founded by
Sam Phillips and is known as the birthplace of the first
great rock-and-roll record label. Secretary
Norton dedicated the announcement to the memory of Phillips.
The legendary producer passed away July 31st in Memphis.
Since the late 1950s, the small Memphis recording studio
produced recordings by legendary artists such as Elvis Presley,
B.B. King, Howlin Wolf, Ike Turner, Rufus Thomas, Johnny
Cash,
Jerry Lee Lewis, Carl Perkins, Charlie Rich, Roy Orbison,
and many others.
Big Al
Dupree Dies
Singer/pianist
Al Dupree died August 4th of a heart attack. He was 79.
Dupree spent his entire life
performing - from his teenage gigs at clubs in the State-Thomas
neighborhood to his five-nights-a-week job at the Balcony
Club, where he
appeared until his health began deteriorating in June.
After studying music at Xavier
University in New Orleans, he served three years in the
U.S. Army during World War II. As soon as he was discharged
in 1946, he gravitated back to nightclubs, touring the country
with big bands (including one led by jazz pioneer Buster
Smith). He jammed with everyone from T-Bone Walker to Ike
Turner. He didn't
release records until the 1990s: his
first album, "View from the Balcony", came out
in 1994, followed by "Big Al Dupree Swings the Blues"
in 1995 and "Positive Thinking" in 1999.
Sam Phillips
Dies
There have
been numerous articles on Sam Phillips' death. Visit
here to
view recent news articles on his passing.
Howard "Louie Bluie" Armstrong
Howard
"Louie Bluie'' Armstrong, a legendary string-band fiddler
who dazzled
generations of audiences with his virtuosity from blues
to bluegrass to folk
and jazz, died July 30th at Boston Medical Center from complications
that
developed after a heart attack in March. He performed across
the country and was the subject of two PBS documentary films,
Terry Swigoff's ''Louie Bluie Armstrong'' in 1985 and Leah
Mahan's ''Sweet Old Song'' last year. Mr. As a teen he began
performing alongside Knoxville performers Ted Bogan and
Carl Martin in groups like the Tennessee Chocolate Drops
and the Four Aces. In 1930, the Chocolate Drops made their
radio debut and cut their first sides for the Vocalion label.
Quinn
Golden Dies
Memphis
soul singer Quinton 'Quinn' Golden, 48, died of a heart
attack July 28th at Delta Medical Center. Golden, whose
career began in the early 1970s, performed with local Memphis
groups as well as with Al Green and his orchestra for seven
years as bass player and background vocalist. He toured
with other Memphis music pillars such as Rufus Thomas and
the Bar-Kays and worked with prominent artists Ike Turner,
Denise LaSalle, Bobby Rush and Carl Sims. A producer and
songwriter as well as recording artist for local Ecko Records
he cut five albums for the label including 2003's "Bottoms
Up!"
2003
W.C. Handy Winners Announced
The 2003
W.C. Handy Blues Awards were announced on May 22nd at Memphis'
Orpheum Theatre. Vocalist Shemekia Copeland led the field
acollecting three trophies. Copeland's Alligator album "Talking
to Strangers" was named blues album of the year and
contemporary blues album of the year, and the singer was
named contemporary female artist of the year. Two blues
veterans scored multiple wins. Solomon Burke's "Don't
Give Up on Me" (Fat Possum) took soul blues album of
the year honors, and the R&B singer was tapped as soul
male artist of the year. Charlie Musselwhite was dubbed
contemporary male artist of the year and blues instrumentalist
(harmonica). B.B.
King repeated as blues entertainer of the year, while Magic
Slim & the Teardrops scored as blues band of the year.
View the complete list of winners at the Billboard website-
click
here.
Joe "Guitar"
Hughes Dies
Joe "Guitar"
Hughes, a staple of Houston's Third Ward blues scene for
half a century, died May 20th of cardiac arrest at Memorial
Hermann Hospital. He was 65. Hughes was born in the Third
Ward on Sept. 29, 1937, and grew up among the
rich blues talent in the area, including Copeland, Collins,
Lightnin' Hopkins and Johnny "Guitar" Watson.
Hughes and Copeland became disciples of the electrified
string improvisations and bombastic brass introduced by
T-Bone Walker shortly after World War II. In the early '50s
Hughes and Copeland formed the Dukes of Rhythm, which became
the house band for popular Houston blues club Shady's Playhouse.
Hughes was a bandleader at Shady's until 1963, releasing
regional singles, including "The Shoe Shy" and
"Ants in My Pants." When his stint at Shady's
ended, Hughes went on the road with the Upsetters, an R&B
band that also featured Little Richard and Houston saxophonist
Grady Gaines among its members. By
1965 he had moved on to the band of Bobby "Blue"
Bland. It wasn't until the mid ‘80s that Joe released a
number of records including "Texas Guitar Master Craftsman"
[Double Trouble], "If You Want to See These Blues"
[Black Top], "Live at Vredenburg" [Double Trouble],
"Texas Guitar Slinger" [Bullseye], "Down
& Depressed: Dangerous" [Munich], and his latest
CD entitled "Stuff Like That" for Blues Express.
He was also featured in a documentary movie entitled "Third
Ward Blues" which focuses on his life, Albert Collins,
and Clarence Gatemouth Brown growing up in Houston's Third
Ward.
Earl
King Dies
Earl King,
the prolific songwriter and guitarist responsible for some
of the
most enduring compositions in the history of R&B, died
April 17th from diabetes related complications. He was 69.
Over his 50-year career, King wrote and recorded hundreds
of songs. His best-known compositions include the Mardi
Gras standards ''Big Chief'' and ''Street Parade''; the
rollicking ''Come On (Let the Good Times Roll),'' which
both Jimi Hendrix and Stevie Ray Vaughan recorded; and ''Trick
Bag." In his prime, he was an explosive performer,
tearing sinewy solos from his Stratocaster guitar and wearing
his hair in an elaborate, upraised coif. Born Earl Silas
Johnson IV he cut his first singles in the early 1950s,
taking on the stage name ''Earl King'' at the suggestion
of a record promoter. "Those Lonely, Lonely Nights"
became one of Mr. King's first regional hits. His recording
of "Trick Bag" for Imperial Records reached No.
17 on Billboard's R&B chart in 1962. After
an abortive affiliation with Motown Records, Mr. King returned
to the business of writing and recording songs in New Orleans.
Work for New Orleans R&B artists dried up the late 1960s
but rebounded a decade later. Mr. King was coaxed out of
semiretirement by young musicians who grew up on his music.
He enjoyed a career renaissance after recording and releasing
several well-received albums for the local Black Top Records
label. The first was "Glazed," a 1986 Grammy-nominated
collaboration with the New England band Roomful of Blues,
followed by "Sexual Telepathy" and "Hard
River to Cross," on which he remade several of his
older songs. Unlike
many artists from the golden age of R&B, Mr. King retained
the publishing rights to his compositions. As a result,
he was able to live off songwriting royalties generated
by the likes of "Come On (Let the Good Times Roll),"
which appeared on Jimi Hendrix's multimillion-selling 1968
album "Electric Ladyland." In recent years he
performed more frequently overseas. As his health deteriorated,
he was hospitalized numerous times as diabetes took a toll.
Hank
Ballard Dies
Hank Ballard,
the singer and songwriter whose hit "TheTwist"
ushered a nationwide dance craze in the 1960s, died March
2nd. Ballard, who was suffering from throat cancer, died
at his home. Ballard's birth records indicate he was born
in 1927, but biographical information lists his birthdate
as 1936. In 1958, Ballard wrote and recorded "The Twist,"
but it was only released on the "B'' side of a record.
One year later, Chubby Checker debuted his own version of
"The Twist'' on Dick Clark's Philadelphia television
show. It soon topped the charts and launched a dance craze
that prompted the creation of other Twist songs, including
"Twist and Shout" by the Isley Brothers and "Twistin'
the Night Away'' by Sam Cooke. Ballard
was discovered in the early 1950s by writer-producer Johnny
Otis. He was lead singer for the Royals, which changed its
name to the Midnighters. By the early 1960s, he had charted
22 singles on the rhythm and blues charts, including "Work
with Me Annie'' - the biggest R&B hit of 1954, selling
more than 1 million copies. Ballard was inducted into the
Rock and Roll Hall of Fame in 1990.
'Beale
Streeter' Forest Dies
Drummer
and singer Earl Lacy Forest, one of the legendary "Beale
Streeters,"
died of cancer on February 26th at Memphis Veterans Medical
Center. He was 76. The Beale Streeters were an informal
group of musical friends in the early '50s that played together
throughout the Mid-South and on each other's recordings.
They included future R&B and blues stars Bobby Bland,
Johnny Ace, Junior Parker and Rosco Gordon. B. B. King is
sometimes considered a member, though he was more an excuse
for the Beale Streeters to perform, and one version of the
group - with Mr. Forest, Ace and saxophonist Billy Duncan
- played on King's 1951 classic "Three O'Clock Blues."
Mr. Forest and the Beale Streeters were also on some of
Bland's first sides, including the 1951 Sam Phillips-produced
Chess single "A Letter from a Trench in Korea"
and Bland's first Duke single, 1952's "I.O.U. Blues."
Mr. Forest was also a songwriter and established himself
later writing songs for Bland, Parker, Little Milton and
others. Among his tunes is the standard "Next Time
You See Me", recorded by Parker, James Cotton and many
others. Mr. Forest composed in recent years with Malaco
songsmith George Jackson, and the duo had co-written numerous
tunes for Johnnie Taylor and Bland at the label.
Othar
Turner Dies
Otha Turner,
master of the homemade fife and king of the barbecued goat
and
music picnic, died February 26th in Gravel Springs, Miss.
Most agree he was 94. Turner, who played a bamboo cane fife,
or wooden flute, was a living link to rural blues and a
19th Century fife-and-drum tradition that predated the blues.
His music was recently featured in Martin Scorsese's Academy
Award-nominated film Gangs of New York. Born in Rankin County,
Miss., Turner grew up in the North Mississippi hill country
of Tate and Panola counties, where he spent much of his
life as a sharecropper and subsistence farmer. Turner first
heard the fife as a teenager in the 1920s. Turner's music,
which he often played with his Rising Star Fife & Drum
Band, was an important bridge to a past shared by late fife
players Sid Hemphill and Napoleon Strickland, with whom
Turner also played in the Como Drum Band. A W. C. Handy
Blues Awards nominee this year for best instrumentalist,
Turner played such regional festivals as the Beale Street
Music Festival and King Biscuit Blues Festival in Helena,
Ark. His reputation grew through his annual Labor Day picnic
at his home in Gravel Springs, which drew people from all
over the world. Turner was first recorded in the 1960s and
can be heard on a number of blues compilations including
the Arhoolie set "Mississippi Delta Blues Jam in Memphis
Volume 1," the German collection "Living Country
Blues: An Anthology," the Austrian disc "Africa
and the Blues," both volumes of "It Came From
Memphis," and the Library of Congress anthology "Afro-American
Folk Music from Tate and Panola Counties, Mississippi,"
the latter which features Turner on guitar. Yet his first
album didn't come out until 1998. That album, "Everybody
Hollerin' Goat," was picked by Rolling Stone magazine
as one of the five "Essential Blues Records of the
Decade." A 2000 follow-up, "From Senegal to Senatobia,"
paired Turner with African musicians. Both records were
produced by Luther Dickinson, who used Turner as well on
the North Mississippi Allstars' albums. [Get well cards
and donations can be sent to:
c/o Bobby Turner, 3339 Gravel Springs Road, Senatobia, Mississipi
38668]
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