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Walkin'
The Blues: The Champion
Jack Dupree Story
Champion Jack Dupree
earned his nickname in the boxing ring but fortunately for
blues fans he hung up his gloves in 1940 to pound the ivories
instead. For 50 years Dupree played the blues injecting
his music with a strong dose of down-home humor and some
formidable boogie-woogie piano playing.
Born on July, 4 1910
in New Orleans, Dupree was orphaned as a baby claiming his
parents died in a fire set by the Ku Klux Klan. Dupree wound
up at New Orleans' Colored Waifs' Home for Boys, the same
orphanage Louis Armstrong also spent his early years. By
the time he was in his teens, he was hustling money on New
Orleans street corners and picking up piano pointers from
barrelhouse ace Willie "Drive 'Em Down" Hall.
Around 1930 Dupree
left New Orleans and eventually wound up in Chicago, where
he played house parties and small clubs. He left for Detroit
after a year spent selling bootleg whiskey and playing piano
at the Continental Cafe. Music become a part-time job while
he sought a career as a professional boxer, based out of
Indianapolis. Dupree fought more than a hundred bouts.
In
1942 Dupree was drafted into the Navy (he was a Japanese
POW for two years). After returning to the States he moved
to New York and became a prolific recording artist, cutting
sides for Continental, Joe Davis, Alert, Abbey, Empire,
Apollo, Gotham, Apex and Red Robin. Contracts meant little
to Dupree who recorded under variety of aliases such as
Brother Blues, Lightnin' Jr. and even Meat Head Johnson.
In 1953
Dupree hooked up with King Records staying with the label
until 1955. He cut some great records for the label including
"Walking the Blues" (his only R&B chart hit)
making it to number 6 on the R&B charts, "Mail
Order Woman," "Let the Doorbell Ring," and
"Big Leg Emma's" among others.
Dupree
jumped to RCA's Groove and Vik subsidiaries cutting more
great material between 1956-1957. In 1958 he cut the masterful
Blues From The Gutter album for Atlantic a stunning
New Orleans barrelhouse outing loaded with down-in-the-alley
songs like "Can't Kick The Habit," "T.B.
Blues," and a remake of "Junker's Blues."
In 1959
Dupree left the country moving first to Paris, then to Zurich,
Switzerland. He continued to record prolifically for Storyville,
British Decca (with John Mayall and Eric Clapton helping
out on a 1966 date), and many others. He built a loyal following
in Europe that enabled him to live in relative comfort.
Dupree
returned to the U.S. in 1990 (his first visit in 36 years)
to play the New Orleans Jazz & Heritage Festival. That
same year he recorded Back Home in New Orleans for
Bullseye Blues. Two
more albums followed for the company prior to the pianist's
death in January of 1992.
Essential
Listening
New
Orleans Barrelehouse Boogie (Columbia): Collects
his earliest sides from 1940-1941 for Okeh. Dupree rocks the boogie on tracks
like "Cabbage Greens", "Dupree Shake Dance," and also includes
his famous "Junker Blues." The
Joe Davis Sessions (Flyright): Killer
sides Dupree cut for Joe Davis between 1945-1946. Includes gems like "Rum
Cola Blues", "Black Wolf" and the moving F.D.R Blues."
Champion
Jack Dupree 1945-1953 (Krazy Kat): 22
prime post-war sides. Great sides like "Stumbling Block",
"Highway Blues" and even some early rock &
roll on "Shake Baby Shake" and "Shim Sham
Shimmy."
Blues
For Everbody (Charly): 20 sides
form Dupree's stint at King Records (1951-1956). Featuring tough guitar by either
Larry Dale or Micky Baker, Dupree lays down stellar R&B on "Let the Doorbell
Ring", "Mail Order Woman" and "The Blues Got Me Rockin''"
among others. Blues From The
Gutter (Atlantic): Dupree's all
time classic album cut for Atlantic in 1958. A low down outing featuring "Can't
Kick The Habit," "T.B. Blues," and an updated take on "Junker's
Blues." Shake Baby Shake
(Detour): This one hasn't been reissued
on CD as far as I know but the LP is well worth tracking down. Collects all 17
sides he laid down for the Groove and Vik labels between 1956-1957. Firmly in
an R&B/Rock and Roll mode with great tracks like "Just Like A Woman",
"Shake Baby Shake" and "When I Got Married" among others.
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