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Irma Thomas: After The
Rain (Rounder)
The
Soul Queen of New Orleans, as she's known, is back after
after a six year absence from the studio and after some
particularly trying times for her beloved city. "After
The Rain" is a rich, emotionally complex recording
that captures Thomas in powerful, resilient form on
wide range of material.
Thomas
is best known for her remarkable 1960's output like
"You Can Have My Husband (But Don't Mess with My
Man)", "Ruler of My Heart", "Break-a-Way"
and of course "Time Is on My Side." Since
1985 Thomas has found a home at Rounder Records cutting
seven uniformly strong records for the label. "After
The Rain" was issued at the confluence of a number
of important events including her 65th birthday, her
20th anniversary with Rounder and of course her first
post-Katrina release. Recorded at rural Dockside Studio
in Maurice, Louisiana only months after Katrina, "After
The Rain" captures Thomas at her mature and resilient
best.
Like
so many, Thomas lost everything in Katrina and the shadow
of that disaster looms like a shadow over these songs.
While the songs here were all selected before the storm
they take on and added poignancy in the wake of that
terrible tragedy. Particularly resonant are a stunning,
dramatic reading of "Another Man Done Gone"
a blues/gospel hybrid with these telling lines: "The
water's at his door/He couldn't stay no more/ Another
man done gone" and the telling line "another
storm has come." Adding to the power of the song,
and to the rest of the album for that matter, is the
smoldering slide playing of Sonny Landreth and the rock
solid rhythm section of drummer Stanton Moore and bassist
James Singleton. Thomas revives other traditional material
including an achingly soulful rendition of the ancient
"Make Me A Pallet On Your Floor" and a stripped
down version of Blind Willie Johnson's classic "Soul
of a Man" featuring sensitive acoustic guitar from
Corey Harris. There's a wide range of material here
including a lovely, hushed version of Arthur Alexander's
"In The Middle Of It All", the surging drunk
driving tale "Flowers", the joyous, gospel
infused "I Wish I Knew How It Would Feel To Be
Free" featuring wonderful piano/B3 organ from David
Torkanowsky, who's a standout throughout, and the strutting
"Soul Survivor" with some blazing slide from
Landreth.
Ultimately"After
The Rain" is a hopeful and empowering recording.
Irma Thomas has rarely sounded better and simply gets
better with age as she sails effortlessly into her fifth
decade of recording.
(Jeff Harris)
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Willie "Big Eyes"
Smith: Way Back (Hightone)
Veteran
drummer Willie "Big Eyes" Smith has emerged
in the last decade as a notable bandleader in his
own right with a batch of solid albums to his credit.
"Way Back" is easily his most inspired effort
as he joyously romps his way through a set of vintage
Chicago blues supported by an all-star lineup.
Smith
headed to Chicago from Arkansas when he was 17 and
promptly taught himself harmonica and drums. In the
early years he backed Arthur "Big Boy" Spires
and Hudson Shower's Red Devil Trio on drums. He got
his big break when he joined Muddy Waters in 1961
and remained with the master until 1980, when he co-founded
the Legendary Blues Band. His first solo recording,
"Bag Full of Blues", appeared 1995 on Blind
Pig followed by a pair for Juke Joint and most recently
2004's "Bluesin' It" on Electro-Fi. "Way
Back" was cut in 2005 and finds the 70 year old
Smith sounding like he's having a blast delivering
those good old Chicago blues in fine fashion.
While
it's true Smith doesn't break any new ground here
there's an intangible something to this session that
elevates it above all his prior releases. It might
have something to do with the superstar band featuring
many old cohorts from the his Muddy Waters days; Bob
Margolin on guitar, the ageless 93-year-old Pinetop
Perkins on piano, James Cotton on harmonica, Calvin
"Fuzz" Jones and Bob Stroger on bass plus
his son, Kenny "Beedy Eyes" Smith, on drums.
Smith, for his part, projects sheer joy as he he blasts
his way through prime 50's/60's era Chicago blues
taking vocals on all tracks, playing drums on two
cuts and showing some impressive harmonica chops on
seven of the eleven cuts. Muddy Waters is certainly
the template here as the band evokes the great Chicago
blues ensemble playing that made Muddy's bands so
great. "Read Way Back" is the only actual
Muddy cover, given a rousing treatment on this great,
but not well known Muddy tune. On other cuts Smith
draws from Jimmy Reed on "Don't Say That No More"
and the Reed inspired original "If You Don't
Believe I'm Leaving" a classic shuffle featuring
some terrific upper register harmonica from James
Cotton. Little Walter's "Tell Me Mama" is
another fine cover as Smith really blows up a storm
on this one. Most of the rest are Smith originals
including the impassioned vocals on moody numbers
like "I Don't Trust You Man", "Lowdown
Blues" and the sparse "Blues And Trouble"
featuring some spot on Muddy like slide from Bob Margolin.
Sure
it's all been done countless times before but when
the classic Chicago blues are played this well it
really is something special. Willie "Big Eyes"
Smith is getting better with age and "Way Back"
is his most inspired statement yet.
(Jeff
Harris)
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Blues Harp Meltdown
Vol. 3: Legends (Mountain Top)
Since
1991 harmonica ace Mark Hummel has been both producing
and performing at his annual Blues Harmonica Blowout.
Like prior volumes, "Blues
Harp Meltdown Vol. 3: Legends" was recorded
in front of a sold out crowd at Moe's Alley in Santa
Cruz, California. The focus on this 2-CD is on blues
legends featuring great performances from 2004
by Willie "Big Eyes" Smith, Lazy Lester, Carey
Bell and Cephas & Wiggins. Also on board are Mark
Hummel and guitarist Steve Freund.
Disc
one features hot cuts by Mark Hummel backed by his fine
Blues Survivors Band, Steve Freund, Willie "Big
Eyes" Smith and Cephas & Wiggins. Hummel's
swinging brand of west coast blues is heard to good
effect on "My Kind Of Baby" and he really
cuts loose on a blazing version of Little Walter's "Rollercoaster."
Hummel joins ex-Chicago guitarist Steve Freund, who
played with Sunnyland Slim for twenty years as well
as cutting some strong albums under his own name for
Delmark. He's lays down a romping "My Little Playhouse"
(from 2004's excellent "Is What It Is" with
Dave Specter) and delivers some back alley blues on
Sunnyland's "I Done You Wrong." Willie "Big
Eyes" Smith is best remembered for his lengthy
drumming stint with Muddy Waters. He's cut a number
of solid records in recent years featuring his harmonica
talents which are on display on the classic "Hoodoo
Man Blues" which he also sings. Cephas & Wiggins
have been recording together since the early 1980's
and specialize in those downhome Piedmont blues in the
tradition of East coast legends like Blind Boy Fuller,
Gary Davis and Sonny Terry. The two provide a nice acoustic
contrast on traditional numbers like "Going To
The River" and "Broke & Hungry."
Carey
Bell truly came into his own in the '90s as a bandleader
with terrific discs for Alligator and Blind Pig but
hasn't cut anything under his own name since 1997's
"Good Luck Man." Backed by his old pal Willie
"Big Eyes" Smith plus guitarist Steve Freund,
Bell puts down some loose, tough Chicago blues on the
chugging "I'm Ready" and "I Shudda Did",
an impassioned slow blues in the vein of Muddy Waters
spotlighting Bell's expressive vocal chops. Louisiana
legend Lazy Lester has remained active in recent years
cutting excellent albums for Antone's in 1998 and 2001
and most recently a strong collaboration with Paul Orta.
Of course Lester's reputation was cemented a long time
ago on those classic Excello singles in the 1950's.
Lester's in fine form here with his country tinged vocals
and his upper register, Jimmy Reed styled harp playing.
With no disrespect to the other players, Lester's set
may be the highlight here delivering charming versions
of his old numbers like the atmospheric "Bloodstains
On The Wall", the propulsive "Sugar Coated
Love" and a beautiful reading of "Raining
In My Heart", a number originally done by Lester's
buddy and old label mate Slim Harpo.
Mountain
Top specializes in West Coast blues with an emphasis
on harmonica blowers and have issued some first rate
records over the past few years by folks like Gary Smith,
Johnny Dyer and Mark Hummel. Their Blues
Harp Meltdown has been a highlight and really
seems to bring out the best in the performers. All three
volumes come highly recommended and it's especially
nice to see the veterans get their due on this latest
collection.
(Jeff Harris)
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