| George
Scott Dies
George
Scott, founding baritone of Gospel vocal group the Blind
Boys of Alabama, died March 9 at his home in Durham, North
Carolina. He was 75. Born George Lewis Scott in Notasulga,
Alabama, the artist met Fountain and Jimmy Carter in 1936
at the Alabama Institute for the Negro Blind. Three years
later they formed the traditional Gospel singing group,
which Scott also accompanied on guitar. In
recent years, the group enjoyed a resurgence in popularity
and recently won the Grammy for best traditional Soul Gospel
album for There Will Be a Light, recorded with singer-songwriter
Ben Harper. The set featured Scott singing lead on the album's
opening track, "Take My Hand." Though
Scott retired from touring last year, he continued to record
with the group and will be heard on its new album, Atom
Bomb, due March 15 from Real World Records. No changes are
planned in the Blind Boys' touring schedule, which picks
up again with a March 18 showcase at the South x Southwest
Music Festival in Austin, Texas.
Lyn Collins
Dies
Lyn Collins,
whose funky vocals got her a spot in James Brown's stage
show and the nickname the Female Preacher, died on Sunday
March 13 in Pasadena, California. She was 56. Ms. Collins,
who lived in Abilene, Texas, was visiting the Los Angeles
area after having returned from a tour in Europe last month.
She was to have started touring again next month. Born in
Dime Box, Texas, Ms. Collins took up singing as a teenager.
At 14, she married a man who worked as the local promoter
for the James Brown Revue. Mr. Brown heard her sing, and
she was invited to join his traveling show in 1970. Her
powerful voice led Mr. Brown to nickname her the Female
Preacher. Two years later, she cut her first solo album,
"Think (About It)." Over
the years, Ms. Collins's songs have appeared in various
compilations, but the Hip-Hop duo Rob Base and D.J. E-Z
Rock exposed her work to a new generation when they sampled
one of her songs for their 1988 hit "It Takes Two."
Since then, other contemporary R&B and rap artists have
also mined Ms. Collins's songs, including the rapper Ludacris.
Wild
Child Butler Dies
Bluesman
George "Wild Child" Butler died Tuesday, March
1 in a Windsor, Ontario hospital. He was 68. No official
cause of death has been released. Wild Child was born in
Autaugaville, Alabama on October 1, 1936 and earned his
Blues stripes beginning in the late 1950s when he took his
unique harmonica sound and singing from rural Alabama juke
joints to the clubs of Chicago. In the late 1960s, he performed
mostly in New Orleans and Houston before returning to Chicago
and then touring extensively. Wild Child eventually settled
in Canada with his wife Elaine, who survives him. Wild Child’s
performance resume includes tours with Jimmy Rogers, Sam
Lay, Lightnin’ Hopkins, Cousin Joe, and Roosevelt Sykes.
He also played periodically with Muddy Waters, Howlin’ Wolf,
Willie Dixon, Jimmie Lee Robinson, John Lee Hooker, Sonny
Boy Williamson II, and many other famous Bluesmen. Wild
Child’s recording debut came on the Sharp label in 1964.
Between 1966 and 1968, he recorded singles produced by Willie
Dixon for Jewel Records. He later had releases on Mercury,
TK Records, Charly, Rooster Blues, MC Records, Bullseye
Blues and APO Records. His final record, "Sho’ ‘Nuff",
was released in 2001.
Mississippi
Declares B.B. King Day
Jackson,
Mississippi - Blues great BB King wiped away tears and spoke
a few
words of thanks at the Mississippi Capitol as the state
House and Senate declared Tuesday BB King Day. Lawmakers
and Gov Haley Barbour honored the 79-year-old Delta native,
whose hits include "The Thrill Is Gone," during
a ceremony Tuesday in the Senate chamber. King pulled a
white handkerchief from his pocket and wiped away tears.
"I never learned to talk very well without Lucille,"
said King, speaking of his black guitar. "But today,
I'm trying to say only God knows how I feel. I am so happy.
Thank you." He said the last time he cried was at Ray
Charles' funeral. "That was tears of sorrow,"
King said. "Today, it was tears of joy."
Blues
Grammy Winners Announced
The Grammys have
announced this years winners for the two Blues categories,
Best Traditional and Best Contemporary Blues albums.
Best Traditional
Blues Album
* Blues Singer - Buddy Guy [Silvertone Records]
* Best Contemporary
Blues Album Let's Roll - Etta James [Private Music]
The Blues brought
home awards in other categories too.
Best Historical
Album
* Martin Scorsese Presents The Blues - A Musical Journey
Steve Berkowitz, Alex Gibney, Andy McKaie & Jerry Rappaport,
compilation producers; Gavin Lurssen & Joseph M. Palmaccio,
mastering engineers (Various Artists) [Hip-O Records]
* Best Album
Notes Martin Scorsese Presents The Blues - The Blues: A
Musical Journey Tom Piazza, album notes writer (Various
Artists) [Hip-O Records]
* Best Long
Form Music Video Legend (Sam Cooke) - Mick Gochanour, Robin
Klein & Mary Wharton, video producers [Abkco Music &
Records]
Tyrone
Davis Dies
Chicago
Rhythm and Blues singer Tyrone Davis, whose career spanned
five decades, died February 9th from complications from
a stroke. He was 66. Business partner Leo Graham says Davis
was hospitalized in September and was undergoing rehabilitation
at a suburban Chicago nursing home at the time of his death.
Born in Greenville, Mississippi, Davis came under the influence
of blues legends Bobby "Blue" Bland, Little Milton,
and Otis Clay. He sang at clubs on Chicago's west and south
Side clubs before landing his first recording contract.
Beginning his career in the 1960s, Davis' warm and romantic
style of singing made him particularly popular in the 1970s.
Davis began performing in the 1950's at clubs around Chicago
but did not achieve chart success until the late 60's. He
released his first single, "Suffer," under the
name Tyrone the Boy Wonder in 1965. Davis's soul hits, among
them "Is It Something You've Got," "Turn
Back the Hands of Time", "Can I Change My Mind",
"Could I Forget You" and "I Had It All the
Time," were a regular presence on the R&B charts
through the 70's. After
his 1975 hit "Turning Point," he left Dakar for
Columbia, where he recorded "Give It Up (Turn It Loose),"
"This I Swear" and other songs. Although his popularity
faded in the 1980s, he continued to record. His most recent
album, "Legendary Hall of Famer," was released
by Endzone Entertainment in October, shortly after his stroke.
According to Graham,
he was promoting his latest release when he suffered the
stroke.
Eddie
Burks Dies
Eddie Burks, a longtime
fixture on the Chicago blues scene, was killed in a fiery
car accident in Miller, Ind., January 27th. He was 73. The
barrel-chested vocalist-harpist played so often at the old
Maxwell Street Market that he was commonly known as "Jewtown
Eddie." He was featured in the Academy Award-nominated
1994 documentary "Blues Highway." Burks had played
on Maxwell Street in the late 1960s and '70s, passing the
cup and sometimes going home at the end of the day with
$100 or $200. He also found frequent work as a sideman with
some of Chicago's most prominent bandleaders, including
Eddie Shaw and Jimmy Dawkins. But in the 1990s, thanks partly
to an aggressive promotional push from ex-wife Maureen Walker,
his solo career took off. He assembled a band with a half-dozen
talented backing musicians and recorded several albums on
Rising Son Records. Burks
toured frequently and found steady work on the festival
circuit, but after he turned 70 his health declined because
of diabetes and other illnesses.
26th
W.C. Handy Blues Award Nominees Announced
The Blues
Foundation will produce the 26th W.C. Handy Blues Awards
on Thursday May 5, 2005 at the Memphis Cook Convention Center
in downtown Memphis, Tennessee. The presenting sponsor for
the W. C. Handy Awards will once again be Gibson Guitars
and Baldwin Pianos. For the list of 2005 nominees click
here.
Son Seals
Dies
W.C. Handy
Award-winning and Grammy-nominated master Chicago bluesman
Son
Seals, 62, died Monday, December 20 in Chicago, IL from
complications due
to diabetes. The critically acclaimed, younger generation
guitarist, vocalist and songwriter - credited with redefining
Chicago blues for a new audience in the 1970s - was known
for his intense, razor-sharp guitar work, gruff singing
style and his charismatic stage presence. According to Guitar
World, "Seals carves guitar licks like a chain saw
through solid oak and sings like a grainy-voiced avenging
angel." Seals released 11 albums during his 30-year
recording career and toured worldwide. Over the course of
his career, Seals was hailed as one of Chicago's great bluesmen
and one of the city's most powerful live performers. Musician
stated, "Seals delivers performances of the most profound
emotion...one of the genre's most soulful exorcists."
His most recent recording was an Alligator Records career
retrospective, Deluxe Edition, in 2002. Among his many accolades,
Seals won three W.C. Handy Blues Awards, one each in 1985,
1987 and 2001, and was nominated for a Grammy Award in 1980
for his participation in the live compilation, Blues Deluxe.
Frank "Son" Seals was born in Osceola, Arkansas
on August 14, 1942. He became an accomplished drummer by
the time he was 13. By the age of 18, Son had put down the
drumsticks and was leading his own band as a guitarist.
He moved to Chicago in 1971 and began playing regular weekend
gigs at The Expressway Lounge and other clubs on Chicago's
South Side, regularly jamming with legends like Hound Dog
Taylor, Junior Wells and Buddy Guy. Son's 1973 debut recording,
The Son Seals Blues Band, on the fledging Alligator Records
label, established him as a blazing, original blues performer
and composer. Son's audience base grew as he toured extensively,
playing colleges, clubs and festivals throughout the country.
The New York Times called him "the most exciting young
blues guitarist and singer in years." His 1977 follow-up,
"Midnight Son", received widespread acclaim from
every major music publication. Rolling Stone called it "one
of the most significant blues albums of the decade."
On the strength of
"Midnight Son", Seals began touring Europe regularly,
and even appeared in an Olympia beer commercial. A strong
series of six more successful Alligator releases followed
through the 1980s and 1990s (Seals also recorded two albums
for other labels during this time), growing Seals' audience
all over the world. Seals shared stages with a wide variety
of blues stars, including B.B. King and Johnny Winter. Even
the popular rock band Phish recognized Seals' talent and
power, covering his song "Funky Bitch" on record
and inviting Seals to join them on stage at many of their
tour dates.
Big Boy
Henry Dies
Blues
musician Richard "Big Boy" Henry died Dec. 5th
after several years of declining health. He was 83. "Mr.
Henry was a master musician in the blues tradition from
eastern North Carolina, which is one of the important parts
of the roots of blues in our state," said Wayne Martin,
folklife director of the North Carolina Arts Council. "He
was a very generous person who shared his music with many
different audiences throughout our state and around the
world." Henry, who was born in Beaufort, was awarded
a North Carolina Folk Heritage Award in 1995 for lifetime
contributions to the folk culture of the state. Henry, a
singer, composer and guitar player, recorded with other
Piedmont bluesmen Sonny Terry and Brownie McGhee at a session
in 1951. He returned to North Carolina disappointed that
the recordings were never issued and gave up music for about
20 years. During that time, he worked as a fisherman and
operated a grocery store before returning to music in 1971.
He earned a prestigious W.C. Handy Award for his 1983 song
"Mr. President," written about the effects of
President Reagan's budget cuts on poor people. By the late
'80s, he was a regular on the nationwide folk festival circuit
and regularly going to Europe to perform. In 1996 he released
"Poor Man's Blues" on the New Moon label and "Beaufort
Blues" for Music Maker in 2002.
Keeping
the Blues Alive Award Winners Announced
Each year, The Blues Foundation
presents the Keeping the Blues Alive (KBA) Awards to individuals
and organizations that have made significant contributions
to the Blues world. The 2005 Keeping the Blues Alive Awards
will be held Saturday, February 5, 2005 in Memphis. The
2005 winners are:
Blues Club: Moondog's
Pittsburgh, Pennsylvania
Blues Organization: Santa Barbara Blues
Society
Santa Barbara, California
Education: Archie Edwards Blues Heritage
Foundation
Washington, DC
Film: The Howlin Wolf Story
Don McGlynn, Director; Joe Lauro, Producer
Historic Preservation: Music Maker Relief
Foundation
Hillsborough, North Carolina
Journalism: Dave Rubin
New York, New York
Literature: Down in Houston: Bayou City
Blues
Roger Wood, Houston, Texas
Tommy
Johnson Family Denied Right To Place Headstone
Three years
after The Mount Zion Memorial Fund and the family of Tommy
Johnson unveiled a headstone memorial in Crystal Springs,
in 2001, the 600 lb., beautifully engraved, granite slab
still sits in the Crystal Springs Library, miles from the
cemetery where Johnson is buried. The Copiah County Board
of Supervisors, charged by law with maintaining the Warm
Springs Methodist Cemetery because of its official historic
status, has denied all access to the cemetery where dozens
of African American gravesites are located, by refusing
to reclaim a road which was "given" to a local
farmer under dubious legal circumstances.
For the last three
years the Mount Zion Memorial Fund has worked with Vera
Johnson Collins, Tommy Johnson's niece, through a series
of legal roadblocks and delays and the State of Mississippi,
fully aware of the situation, has done absolutely nothing.The
"Year of the Blues" has come and gone, and the
Tommy Johnson Memorial, paid for by Ms. Bonnie Raitt, has
remained on display at the Public Library, in mute testimony
to the true history of Mississippi's racial nullification,
failure and neglect.
The Mount Zion Memorial
Fund and the family of Tommy Johnson is asking that any
and all groups or individuals who would like to support
the effort to place Tommy Johnson's headstone on his grave
and to re-open this historic cemetery please write Governor
Haley Barbour at P.O. Box 139 Jackson, MS 39205
And demand that the State of Mississippi intervene immediately
to correct this moral wrong and to finally do something
honorable to get right with the Blues.
Noble
Watts Dies
Noble Watts,
the blues and jazz saxophonist who led the house band at
Sugar Ray Robinson's club in Harlem and played on rock 'n'
roll tours with Fats Domino and Jerry Lee Lewis, died Sugust
24. He was 78.Also known as "Thin Man," Watts
released a series of singles on Baton Records, including
the instrumental hits "Hard Times (the Slop)"
in 1957 and "Jookin' " in 1961. Hhe mounted a
comeback bid in 1987 with the album, "Return of the
Thin Man", for King Snake records (later picked up
by Alligator). "King of the Boogie Sax" followed
in 1993 for Ichiban's Wild Dog imprint.
Hunter
Hancock Dies
Hunter
Hancock, the legendary disc jockey regarded as the first
in the western United States to spin rhythm and blues records
and among the first to broadcast rock 'n' roll, has died
Aug. 4. He was 88. Known on the air as "Ol' H.H.,"
Hancock, in his high-pitched, frantic, exaggerated voice,
was heard over local airwaves from 1943 to 1968, hosting
the Sunday show "Harlem Holiday" on KFVD-AM (later
KPOP-AM); the daily "Harlematinee"; the KGFJ-AM
nightly Top 20 "Huntin' With Hunter"; and the
KGER-AM Sunday gospel show "Songs of Soul and Spirit."
He also had a brief
run on KCBS-TV Channel 2 in 1955 with the Friday night show
"Rhythm and Bluesville," interviewing such musicians
as Duke Ellington, Fats Domino, Little
Richard and the Platters. For
several years, Pulse survey, a precursor to Arbitron,
rated Hancock's shows No. 1 among African American listeners
in Southern California. In 1950, the Los Angeles Sentinel
newspaper rated Hancock the most popular DJ in Los Angeles
among blacks.
Willie
Egan Dies
Robert
"Willie" Egan, a blues singer and pianist who
recorded boogie-woogie-tinged R&B on his own and as
Johnny in the popular duo Marvin & Johnny, died August
5th. He was 70. He learned by listening to recordings of
Amos Milburn, Hadda
Brooks and Nellie Lutcher. In 1949, Egan made a couple of
recordings for the small Elko label. But he hit his stride
in the mid-1950s, recording for Larry Mead's Mambo and Vita
labels. He recorded
the successful singles "Wow Wow," "What a
Shame,"
"Come On," "She's Gone Away, But" and
"Wear Your Black Dress." His
last solo single was "Rock and Roll Fever" in
1958. Later he teamed with Marvin Phillips, who had a series
of partners as "Johnny" under the Marvin &
Johnny name, for a couple of lackluster records. Eventually,
Egan abandoned music to work as a hospital orderly. He recorded
a new, well-regarded studio album called "Going Back
to Louisiana" for London-based Ace Records.
Cal Green
Dies
Cal Green
the original guitar player for the Midnighters passed away
July 6th.
He was 68 years old. Green's idol as a teenager was Lone
Star wonder Clarence "Gatemouth" Brown. Cal Green
played on RPM Records releases by Quinton Kimble and pianist
Connie McBooker, but his main claim to fame is as the guitarist
for Hank
Ballard & the Midnighters, who picked up Green in Houston
in 1954. His ringing guitar provided a sturdy hook for the
group's rocker "Don't Change Your Pretty Ways"
and figured prominently on "Tore Up Over You"
and "Open Up the Back Door." The Midnighters'
label, Cincinnati-based Federal Records, thought enough
of Green's slashing Texas licks to cut a couple of 45s on
him in 1958: the double-sided instrumental "The Big
Push"/"Green's Blues" and a pair of vocals,
"I Can Hear My Baby Calling"/"The Search
Is All Over." A 1959 marijuana bust sent Green to a
Texas slammer for 21 months, but he briefly rejoined the
Midnighters in 1962. After that, jazz became Green's music
of choice. He gigged with organist Brother Jack McDuff and
then singer Lou Rawls, eventually settling in L.A. An acclaimed
but tough-to-find 1988 album for Double Trouble, "White
Pearl," showed conclusively that Cal Green still knows
his way around the blues on guitar.
Nap Turner
Dies
Nap Turner
was 73 when he died June 17th. Turner played jazz and blues
in Washington clubs, after-hours spots and occasionally
on tour with big names. On the bandstand, he was a bassist
who played with some of the greats, imitating their success
in jazz and their failure from drugs. He played the bass
and sang in a bold, rich voice. As a young man in the 50's,
working and hanging around 7th and T, Nap jammed with the
likes of Sonny Stitt, Gene Ammons,and Webster Young. He
worked with with the Griffin Brothers and Margie Day and
played on their initial demos that secured them their record
deal, but was never credited for his studio work on the
discs because he did not want to go on the road with the
band. In his last two decades, when he took his act onto
the radio as Nap "Don't Forget the Blues" Turner,
on WPFW (89.3 FM), he attracted a loyal and wide audience.
He recorded ""Live at City Blues" and "Live
At Cada Vez" for the Right On Rhythm label.
Ray Charles
Dies
Ray Charles,
the Grammy-winning crooner who blended gospel and blues
in such crowd-pleasers as "What'd I Say" and heartfelt
ballads like "Georgia on My Mind," died June 10th,
a spokesman said. He was 73. Charles died at his Beverly
Hills home surrounded by family and friends, said spokesman
Jerry Digney. Charles' last public appearance was alongside
Clint Eastwood on April 30, when the city of Los Angeles
designated the singer's studios, built 40 years ago in central
Los Angeles, as a historic landmark. Blind by age 7 and
an orphan at 15, Charles spent his life shattering any notion
of musical boundaries and defying easy definition. A gifted
pianist and saxophonist, he dabbled in country, jazz, big
band and blues, and put his stamp on it all with a deep,
warm voice roughened by heartbreak from a hardscrabble childhood
in the segregated South. "His sound was stunning --
it was the blues, it was R&B, it was gospel, it was
swing -- it was all the stuff I was listening to before
that but rolled into one amazing, soulful thing," singer
Van Morrison told Rolling Stone magazine in April. Charles
won nine of his 12 Grammy Awards between 1960 and 1966,
including the best R&B recording three consecutive years
("Hit the Road Jack," "I Can't Stop Loving
You" and "Busted"). His
versions of other songs are also well known, including "Makin'
Whoopee" and a stirring "America the Beautiful."
Hoagy Carmichael and Stuart Gorrell wrote "Georgia
on My Mind" in 1931 but it didn't become Georgia's
official state song until 1979, long after Charles turned
it into an American standard.
Gatemouth
Moore Dies
Blues artist
Arnold "Gatemouth" Moore, who gave up the blues
and turned to preaching, died May 19th at Kings Daughters
Hospital in Yazoo City after a long illness. He was 90.
At the time of his death, Moore was pastor of the Lintonia
A.M.E. Church in Yazoo City. He was born Arnold Dwight Moore
on Nov. 8, 1913, in Topeka, Kan. He claimed he earned the
nickname "Gatemouth" because of his loud singing
and speaking voice. He graduated from Booker T. Washington
High School in Memphis in 1938.At the age of 16, Moore went
to Kansas City, where he sang with the bands of Bennie Moten,
Tommy Douglas and Walter Barnes. Moore was one of the few
survivors of the infamous "Natchez Rhythm Club Fire"
in 1940 in which over
150 died. Other member of his band died in the fire. In
1941 he returned to Kansas City where he recorded his first
record and wrote such songs as "Somebody's Got To Go,"
"I Ain't Mad at You Pretty Baby" and "Did
You Ever Love A Woman?", which was recorded by B.B.
King and Rufus Thomas. He was the first blues singer to
sing at Carnegie Hall, according to a resolution recognizing
him at the Mississippi Legislature this year. While performing
in Chicago in 1949, he turned to gospel music and was ordained
was at the First Church of Deliverance in Chicago with the
Rev.
Clarence Cobbs as pastor. Moore served his first church
in Chicago and joined WDIA radio station where he was the
station's first religious disc jockey. He also worked for
a religious station in Birmingham, Ala., returning to Chicago
in 1957 for gospel programs on television and radio. He
recorded gospel and blues albums into the 1970s. He recorded
his last record in 1977 under as "Great R&B Oldies"
on Johnny Otis' Blues Spectrum label. This was a blues release
as Gatemouth recut some classics and cut some new ones including
a salute to his old stomping grounds on "Beale Street
Ain't Beale Street No More." He was also featured in
Martin Scorsese's blues series singing that song as he strolled
down the famous street. In recent years, Moore occasionally
played festivals and kept busy with his duties as church
pastor. For and in depth biography and audio feature click
here.
Blues
Pioneer Gets Historical Marker
Twenty-five
years after his death, Big Stone Gap native Carl Martin
is finally being honored for his creativity and musical
ability. His recordings during the folk revival of the 1960s
and 1970s showcased his instrumental and vocal ability and
the breadth of his musical interests. Martin died in 1979
at the age of 73.
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