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Willie Walker
Give As Good As You Get




Tom Dowd & The Language Of Music
(Palm Pictures)
 

 "Tom Dowd & the Language of Music" is a compelling and fascinating look at the life and times of Tom Dowd, a pioneering engineer who produced some of the most important R&B, rock, soul and jazz records ever made. Dowd's story is told in his own words and the words of the countless musicians and musical insiders who adored him.

 Tom Dowd was born on October 20, 1925 in New York City. At a young age he excelled in mathematics and physics, leading to his work from the ages of 16 to 20 on the Manhattan Project at Columbia University. In 1946, as a sergeant in the Army Corps of Engineers, he oversaw a team of radiation detection specialists at the atomic bomb tests in Bikini Atoll. After his discharge from the Army, he soon began applying his science background to help revolutionize the process of recording music. While working for Atlantic Records, his pioneering work in stereo recording, and later his design of the eight-track console, revolutionized the recording industry.

 At Atlantic records he turned the knobs behind legends like Ray Charles, Aretha Franklin, Otis Redding, Big Joe turner, Ruth Brown, Charles Mingus, John Coltrane and many, many others. Dowd worked particularly closely with Ray Charles on many of his most important recordings and is credited with helping Ray find his own voice. It was a hectic and exciting period as Dowd recounts anecdotes like recording the Coasters in the afternoon and then at midnight doing a Mingus session. Or when he went own to Stax records in Memphis to fix some broken equipment and tested it out by cutting Rufus Thomas' "Walking The Dog." As the 1960's rolled in Dowd continued to innovate and as the old fashioned knobs gave way to sliders and multi-tracking he recorded folks like Buffalo Springfield, The Allman Brothers Band, Cream and Aretha Franklin among others. Along the way we get some fantastic footage and interviews from Ray Charles, Eric Clapton, The Allman Brothers Band, Lynard Skynyrd, Les Paul, Aretha Franklin, Joe Bonamassa, Ahmet Ertegun, Jerry Wexler, Mike Stoller, Cream, Booker T & The MG's among others. The footage of Aretha rehearsing in the Muscle Shoals studio is alone worth picking this up.

 Tom Dowd passed away in 2002 and this film is a fitting epitaph of a man who can rightly be called a genius. "Tom Dowd & the Language of Music" has been nominated for a 2005 Grammy Award for Best Long Form Video. Appropriately, Dowd's nomination comes in the same year that another genius, Ray Charles, receives a posthumous nomination for "Genius Loves Company." The New York Times wrote of Dowd, "In a world of singers, an unsung Hero." The DVD includes special features such as over 80 minutes of bonus footage which include deleted scenes and bonus interview clips.

-Check out these related links:
Tom Dowd & The Language Of Music Website

(Jeff Harris)

     
Willie Walker And The Butanes: Right Where I Belong
(One On One)cd.gif (1045 bytes)
 

 Willie Walker issued a couple of highly regarded southern soul records in the late 60's then seemingly disappeared for nearly forty years. In one of those improbable but true stories Walker has reemerged from the shadows with the stunning "Right Where I Belong", one of the best southern soul styled records to come along in a long time.

 Walker's star flickered briefly in the late-sixties cutting sides for the Memphis' legendary Goldwax label with the Chess subsidiary Checker picking up the rights and issuing some of it. The sessions were cut at either Muscle Shoals in Alabama or Chips Moman's local American Studios in Memphis, both key places for the emergence of the classic southern soul sound. Despite the quality of these sides nothing clicked and Walker disappeared from the recording scene. "Right Where I Belong" finds Walker in peak form and sounds like a long lost Memphis soul session. Indeed Goldwax head honcho Quinton Claunch states in the notes: "I would have been proud to release this recording." High praise indeed!

 As Executive Producer Colin Dilnot states: "The concept of this album was to prove that you could still record a classic southern soul styled album with real instruments, which had a live feel and that musicians would provide a backdrop for the singer to perform." They've succeeded masterfully as the album has that classic Memphis soul sound with big, punchy horns, a rock solid back beat, spot on background vocals and plenty of tasteful and funky guitar flourishes. The Butanes provide the perfect foil for Walker's gritty, passionate delivery that brings to mind Walker's former Goldwax contemporaries, namely O.V. Wright and James Carr, two of soul music's greatest voices. The final ingredient is a batch of first rate songs and a big hand has to go to guitarist/producer Chris Obeda who wrote all fourteen tracks. Walker simply smolders on these well crafted tales singing with unbridled passion and heartache on the throbbing opener "I Don't Mind At All", the funky and philosophical "Change" ("Are you gonna change for love or change for hate/Are you gonna favor bitterness or favor the light") and sweet soul ballad like "(We Gotta) Put Out The Fire", "Right Where I Belong", the aching "Sometimes Love's Not Enough" and the soaring "Ain't It Funny" with Walker at his testifying best.

 "Right Where I Belong" was obviously a labor of love with all the little pieces in place to make it a genuine soul classic. The days of Goldwax, Hi Records and Stax live again in the hands of Willie Walker & The Butanes. Hands down one of the best soul recordsto come along in ages.

-Check out these related links:
www.efetus.com (ordering info)
www.louisianamusicfactory.com (ordering info)
The Butanes Website

(Jeff Harris)







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