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Chick Willis: I Did
It All! (CML Records)
Chick
Willis will forever be linked to his ribald classic
"Stoop Down Baby Let Your Daddy See" that
unfortunately seems to have overshadowed just about
everything else he's done which is a shame. Willis
has soldiered on issuing fine, if unheralded, records
for a number of labels and "I Did It All!",
on his own label, ranks among his best.
Stoop
Down Baby Let Your Daddy See" cut in 1972 for
tiny La Val Records was Willis' meal ticket, selling
a ton of 45's for the jukebox market (the tune's lyrics
were way too raunchy for airplay). While he's cut
countless sequels he's also waxed a number of strong
albums, most notably a long run at Ichiban resulting
in six albums and more recently the terrific "From
the Heart and Soul" on Rock House. Willis' is
also known for his outrageously entertaining stage
shows which of course includes a lengthy version of
"Stoop Down Baby" where Willis roams
through the crowd riffing hilariously on various audience
members while incorporating it in the song. For "I
Did It All!" Willis is up to his old tricks with
a batch of raunchy originals (the CD has a parental
warning sticker), a crack band and some fabulous guitar
work all expertly produced by Willis himself.
Willis
resides in the same realm as soul-blues singers like
Bobby Rush, Roy C, Artie White and Latimore who have
never quite crossed over and who's core audience still
resides in the so called chitlin' circuit. Willis'
music still retains a gritty, soulful chitlin' circuit
vibe with one foot firmly planted in the blues and
sings the kind of songs that really connect with the
audience. All those talents are in evidence on "I
Did It All!" featuring a dozen exceptionally
strong and risque originals, soulful vocals and more
guitar work than he's played on record in some time.
Backing Willis' is a tight little band complete with
a couple of horns and a trio of fine background singers
including Zakiya Hooker the daughter of John Lee.
We get two versions of the irresistibly catchy "I
Did It All", a radio version and the dirtier
version. Willis references raunchy numbers like Theodis
Easley's "Stand Up In It" and Barbara Carr's
"Bone Me Like You Own Me" and one ups them
all as he tells them in detail that he's done it all,
"from the front to the back" and "from
the east to the west" plus a few other ways to
boot. Willis mines similar territory on the bouncy
"I Love You Sweetheart" ("You know
if we was hound dogs/And we was all alone/I'd share
my kibble and bits/And let you nibble on my bone")
and the equally racy "I Like It Like That"
("I'm not the door man/I'm door man's son/But
I'll let you polish my knob till' the door man comes")
which is basically an updated version the ribald classic
"All Around Man" done as far back as the
30's by the equally salacious Bo Carter. Willis shows
off his clean, stinging fret work on the loping "Easy
Blues", the autobiographical "Little Old
Blues Man" and "You Can't Run" as Willis
melds the blues with touch of gospel. An added bonus
is a ten minute video of Willis playing live that's
playable in either Mac or PC.
Chick
Willis indeed does it all on his new record; a good
dose of soul, a good dose of blues, plenty of great
guitar work a batch of exceptional songs. "I
Did It All!" is easily one of the best records
you'll hear this year and well worth tracking down.
-Check
out these related links:
Meneagerie
Talent Agency
(Jeff Harris)
|
George Hughley: Nothing
But The Blues
(Roya Records)
Last
month we reviewed a great new CD by soul veteran Roy
C and this month we spotlight another soul survivor,
George Hughley. "Nothing But The Blues"
released on the Roya label showcases Hughley's incredible
vocals on a soul drenched blues outing.
George Hughley's been at it almost as long as Roy
C and his 1960's/1970's singles are held in high regard
by soul aficionados. Hughley first hit for King Records
back in 1960 with "What Did I Do" followed
by notable numbers like "It Hurts Me Too"
and a pair of hits for Buddah in 1971 with "That's
Why I Cry" and "You Are My Everything."
Hughley has cut some more recent albums that have
largely slipped under the radar. "Nothing But
The Blues" is a knockout performance that finds
Hughley in great form backed by a tough band featuring
top notch songs.
Hughley
takes a tough bluesy approach on his new album reminiscent
of the soulful blues style of W.C. Clark. He sings
the blues with amazing passion with a huge soulful
voice that often breaks into an upper register squall
and makes plenty of spoken asides - simply put he
sounds like he's having himself a ball. Backing Hughley
is a hard driving blues band featuring some blistering
guitar work by Rick Hinkle who's graced albums by
Howard Tate, Trudy Lynn, Marcia Ball, Jerry McCain
as well as having several albums out under his own
name. Hinkle also wrote the bulk of the material which
is all top drawer stuff. Things kick off with the
strutting, funky "Get These Blues" continuing
through tough minded fare like the shuffling "She'll
Be Back", the blazing "Sing Like BB"
and the down home "Dinner Bell." Hughley
shows off his southern soul roots on vintage sounding
soul numbers like the aching "Lonley Street"
and especially the stunning deep soul ballad "Something
Is Worrying My Baby" reminiscent of the great
James Carr.
George Hughley is a vocalist of the highest caliber
and both blues and soul fans alike will want to check
out his smoking "Nothing But The Blues."
There's no shortage of blues and soul musicians from
the early years who continue to resurface but rarely
with the chops of George Hughley.
-Check
out these related links:
Roya
Records Store
(Jeff Harris)
|
B.B. King &
Friends: 80 (Geffen)
It's
hard to believe B.B. is 80. He seems ageless,
reliably releasing albums every year or so and
still touring like crazy. It's too bad "80"
isn't a better celebration for the King which
turns out to be a rather tame star-studded duets
album along the line of 1997's "Deuces Wild."
B.B.'s capable of much better as he's proved
in recent years with fine albums like 1998's wonderful
"Blues on the Bayou", it's very good
2000 sequel "Makin' Love Is Good for You"
and 2003's solid "Reflections." "80",
on the other hand, is a confounding outing and
is the kind of celebrity record that only helps
those performing with B.B. to help elevate their
cool factor by basking in the King's
reflected glory. Unfortunately some like Dayrl
Hall and Gloria Estefan are beyond help and get
overwhelmed by B.B.'s overpowering presence. Even
at 80, though, B.B. still sounds commanding and
there are a a few moments that save the album
from being a total loss.
"80"
was recorded in a variety of locations in the
spring of 2005 and features a wide range of guest
artists, ranging from the familiar like Van Morrison,
Eric Clapton and Bobby Bland to not so surprising
choices like Billy Gibbons, Mark Knopfler, Glen
Frey, Roger Daltry to the downright odd choices
of John Mayer, Daryl Hall, Elton John, Sheryl
Crow and Gloria Estefan. It doesn't help that
the material consists of mostly old warhorses.
For his part B.B. remains in excellent voice and
lays down typically elegant guitar work throughout
even if he doesn't throw off any real sparks this
time out. Unfortunately the best track is also
the opener; Van Morrison and B.B. deliver a down
and dirty version of "Early In The Morning"
and you can feel some real chemistry here. The
other highlight is the mellow, intimate sounding
"Funny How Time Slips Away" as B.B.
is joined by long time pal Bobby Bland who's at
his seductive best. The track comes across as
two old friends reuniting and brings back memories
of previous collaborations like the fine early
1970's gem "Together for the First Time ...
Live." There's a few other respectable moments
like "Tired Of Your Jive" with Billy
Gibbons and a surprisingly spirited "Rock
This House" featuring the vocals and piano
of Elton John with B.B. sounding particularly
hot on this one. The collaborations with Sheryl
Crow, John Mayer, Gloria Estefan - well the less
said the better - and the bland "The Thrill
Is Gone" with Clapton sadly lives up to it's
title.
At 80 B.B. King still remains a commanding
performer but his greatness is sadly obscured
on this lackluster outing. B.B. deserved a better
birthday celebration than this. What they should
have done is ditched the celebrity artists in
favor of his blues peers as they did on 1993's
strong "Blues Summit" although, granted,
most of B.B.'s real peers have sadly passed on.
-Check
out these related links:
Reflections
Review
B.B.
King Official Website
MCA
B.B. King Website
B.B.
King Rock And Roll Hall Of Fame
(Jeff
Harris)
|
Lou Pride: Keep
On Believing (Severn)
Lou
Pride is one of the finest soul/blues singers
on the scene today and has amassed a small but
impressive body of work over the years. "Keep
On Believing" is Pride's best outing, a
timeless sounding collection of soul/blues songs
beautifully produced.
Pride grew up in Chicago but made his
mark in the unlikely town of El Paso where he
cut the acclaimed singles "I'm Coming Home
in the Morning" b/w "I'm Not Thru
With You" and "Your Love Is Fading"
b/w "Lonely Road," on Seumi Records
in the early '70s. While some of the tracks
were cut in El Paso the rest were cut with the
famed Hi Records band (Teenie, Leroy, and Charles
Hodges, along with Howard Grimes and the Memphis
horns) in Memphis, TN. Just about all these
have been reissued by Severn on "The Memphis/El
Paso Sessions." After these early sessions
Pride cut albums for Black Gold Records, Curtis
Mayfield's Curtom Records, Ichiban, Ice House
and most recently for the Maryland based Severn
label. "Keep On Believing" surpasses
the fine 2002 release, "Words Of Caution",
and is surly one of the best soul/blues records
of the year.
Pride
is a dynamite soul singer who delivers his songs
of heartbreak and romance with unbridled passion
and aching vulnerability. Pride
mines the same soul/blues territory as Bobby
Bland, Z.Z. Hill, Little Milton but also draws
deeply from the Hi Records sound embodied by
greats like O.V. Wright, Otis Clay and Syl Johnson.
The pulsing, funky Hi Records sound seems to
be the template here as Pride gets stellar support
from the great Willie Henderson who arranged
and conducted the killer horn section, labelmate
Benjie Poreck on organ, terrific guitar work
of Johnny Moeller and some spot on background
vocals. Pride excels on a uniformly strong set
of originals including the throbbing, funky
opener "Midnight Call", a fine remake
of his classic "I'm Com'un Home in the
Morn'un" and the aching soul ballad "I
Want To Hold Your Hand" which brings to
mind the great James Carr. Pride takes a harder,
grittier approach on the pulsing "Real
Deal" and the back alley blues of "Sunrise"
featuring some bold T-Bone Walker/Pee Wee Crayton
styled fret work from Johnny Moeller. Pride
takes a philosophical stance on message songs
like the gospel infused "Hold On to Your
Dream" and "Love Will Make it Alright"
which bears a strong Curtis Mayfield vibe.
There's
a number of fine soul singers on the scene but
too many get saddled with poor production and
canned instruments. Not only is Lou Pride one
of the finest soul singers around he's found
a company who won't skimp on the production
end. The results speak for themselves on the
outstanding "Keep On Believing" which
is everything a great soul record should be.
-Check
out these related links:
Severn
Records Website
(Jeff
Harris)
|
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