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Chick Willis
Easy Blues

George Hughley
Sing Like BB

B.B. King
Early In The Morning

Lou Pride
Real Deal



More Reviews===> Reviews Section II


Chick Willis: I Did It All! (CML Records)cd.gif (1045 bytes)

 Chick Willis will forever be linked to his ribald classic "Stoop Down Baby Let Your Daddy See" that unfortunately seems to have overshadowed just about everything else he's done which is a shame. Willis has soldiered on issuing fine, if unheralded, records for a number of labels and "I Did It All!", on his own label, ranks among his best.

 Stoop Down Baby Let Your Daddy See" cut in 1972 for tiny La Val Records was Willis' meal ticket, selling a ton of 45's for the jukebox market (the tune's lyrics were way too raunchy for airplay). While he's cut countless sequels he's also waxed a number of strong albums, most notably a long run at Ichiban resulting in six albums and more recently the terrific "From the Heart and Soul" on Rock House. Willis' is also known for his outrageously entertaining stage shows which of course includes a lengthy version of  "Stoop Down Baby" where Willis roams through the crowd riffing hilariously on various audience members while incorporating it in the song. For "I Did It All!" Willis is up to his old tricks with a batch of raunchy originals (the CD has a parental warning sticker), a crack band and some fabulous guitar work all expertly produced by Willis himself.

 Willis resides in the same realm as soul-blues singers like Bobby Rush, Roy C, Artie White and Latimore who have never quite crossed over and who's core audience still resides in the so called chitlin' circuit. Willis' music still retains a gritty, soulful chitlin' circuit vibe with one foot firmly planted in the blues and sings the kind of songs that really connect with the audience. All those talents are in evidence on "I Did It All!" featuring a dozen exceptionally strong and risque originals, soulful vocals and more guitar work than he's played on record in some time. Backing Willis' is a tight little band complete with a couple of horns and a trio of fine background singers including Zakiya Hooker the daughter of John Lee. We get two versions of the irresistibly catchy "I Did It All", a radio version and the dirtier version. Willis references raunchy numbers like Theodis Easley's "Stand Up In It" and Barbara Carr's "Bone Me Like You Own Me" and one ups them all as he tells them in detail that he's done it all, "from the front to the back" and "from the east to the west" plus a few other ways to boot. Willis mines similar territory on the bouncy "I Love You Sweetheart" ("You know if we was hound dogs/And we was all alone/I'd share my kibble and bits/And let you nibble on my bone") and the equally racy "I Like It Like That" ("I'm not the door man/I'm door man's son/But I'll let you polish my knob till' the door man comes") which is basically an updated version the ribald classic "All Around Man" done as far back as the 30's by the equally salacious Bo Carter. Willis shows off his clean, stinging fret work on the loping "Easy Blues", the autobiographical "Little Old Blues Man" and "You Can't Run" as Willis melds the blues with touch of gospel. An added bonus is a ten minute video of Willis playing live that's playable in either Mac or PC.

 Chick Willis indeed does it all on his new record; a good dose of soul, a good dose of blues, plenty of great guitar work a batch of exceptional songs. "I Did It All!" is easily one of the best records you'll hear this year and well worth tracking down.

-Check out these related links:
Meneagerie Talent Agency

(Jeff Harris)

     
George Hughley: Nothing But The Blues
(Roya Records)cd.gif (1045 bytes)
 

 Last month we reviewed a great new CD by soul veteran Roy C and this month we spotlight another soul survivor, George Hughley. "Nothing But The Blues" released on the Roya label showcases Hughley's incredible vocals on a soul drenched blues outing.

  George Hughley's been at it almost as long as Roy C and his 1960's/1970's singles are held in high regard by soul aficionados. Hughley first hit for King Records back in 1960 with "What Did I Do" followed by notable numbers like "It Hurts Me Too" and a pair of hits for Buddah in 1971 with "That's Why I Cry" and "You Are My Everything." Hughley has cut some more recent albums that have largely slipped under the radar. "Nothing But The Blues" is a knockout performance that finds Hughley in great form backed by a tough band featuring top notch songs.

 Hughley takes a tough bluesy approach on his new album reminiscent of the soulful blues style of W.C. Clark. He sings the blues with amazing passion with a huge soulful voice that often breaks into an upper register squall and makes plenty of spoken asides - simply put he sounds like he's having himself a ball. Backing Hughley is a hard driving blues band featuring some blistering guitar work by Rick Hinkle who's graced albums by Howard Tate, Trudy Lynn, Marcia Ball, Jerry McCain as well as having several albums out under his own name. Hinkle also wrote the bulk of the material which is all top drawer stuff. Things kick off with the strutting, funky "Get These Blues" continuing through tough minded fare like the shuffling "She'll Be Back", the blazing "Sing Like BB" and the down home "Dinner Bell." Hughley shows off his southern soul roots on vintage sounding soul numbers like the aching "Lonley Street" and especially the stunning deep soul ballad "Something Is Worrying My Baby" reminiscent of the great James Carr.

  George Hughley is a vocalist of the highest caliber and both blues and soul fans alike will want to check out his smoking "Nothing But The Blues." There's no shortage of blues and soul musicians from the early years who continue to resurface but rarely with the chops of George Hughley.

-Check out these related links:
Roya Records Store

(Jeff Harris)

   
B.B. King & Friends: 80 (Geffen) cd.gif (1045 bytes)

 It's hard to believe B.B. is 80. He seems ageless, reliably releasing albums every year or so and still touring like crazy. It's too bad "80" isn't a better celebration for the King which turns out to be a rather tame star-studded duets album along the line of 1997's "Deuces Wild."

  B.B.'s capable of much better as he's proved in recent years with fine albums like 1998's wonderful "Blues on the Bayou", it's very good 2000 sequel "Makin' Love Is Good for You" and 2003's solid "Reflections." "80", on the other hand, is a confounding outing and is the kind of celebrity record that only helps those performing with B.B. to help elevate their cool factor by basking in the King's reflected glory. Unfortunately some like Dayrl Hall and Gloria Estefan are beyond help and get overwhelmed by B.B.'s overpowering presence. Even at 80, though, B.B. still sounds commanding and there are a a few moments that save the album from being a total loss.

 "80" was recorded in a variety of locations in the spring of 2005 and features a wide range of guest artists, ranging from the familiar like Van Morrison, Eric Clapton and Bobby Bland to not so surprising choices like Billy Gibbons, Mark Knopfler, Glen Frey, Roger Daltry to the downright odd choices of John Mayer, Daryl Hall, Elton John, Sheryl Crow and Gloria Estefan. It doesn't help that the material consists of mostly old warhorses. For his part B.B. remains in excellent voice and lays down typically elegant guitar work throughout even if he doesn't throw off any real sparks this time out. Unfortunately the best track is also the opener; Van Morrison and B.B. deliver a down and dirty version of "Early In The Morning" and you can feel some real chemistry here. The other highlight is the mellow, intimate sounding "Funny How Time Slips Away" as B.B. is joined by long time pal Bobby Bland who's at his seductive best. The track comes across as two old friends reuniting and brings back memories of previous collaborations like the fine early 1970's gem "Together for the First Time ... Live." There's a few other respectable moments like "Tired Of Your Jive" with Billy Gibbons and a surprisingly spirited "Rock This House" featuring the vocals and piano of Elton John with B.B. sounding particularly hot on this one. The collaborations with Sheryl Crow, John Mayer, Gloria Estefan - well the less said the better - and the bland "The Thrill Is Gone" with Clapton sadly lives up to it's title.

  At 80 B.B. King still remains a commanding performer but his greatness is sadly obscured on this lackluster outing. B.B. deserved a better birthday celebration than this. What they should have done is ditched the celebrity artists in favor of his blues peers as they did on 1993's strong "Blues Summit" although, granted, most of B.B.'s real peers have sadly passed on.

-Check out these related links:
Reflections Review
B.B. King Official Website
MCA B.B. King Website
B.B. King Rock And Roll Hall Of Fame

(Jeff Harris)


Lou Pride: Keep On Believing (Severn) cd.gif (1045 bytes)

 Lou Pride is one of the finest soul/blues singers on the scene today and has amassed a small but impressive body of work over the years. "Keep On Believing" is Pride's best outing, a timeless sounding collection of soul/blues songs beautifully produced.

  Pride grew up in Chicago but made his mark in the unlikely town of El Paso where he cut the acclaimed singles "I'm Coming Home in the Morning" b/w "I'm Not Thru With You" and "Your Love Is Fading" b/w "Lonely Road," on Seumi Records in the early '70s. While some of the tracks were cut in El Paso the rest were cut with the famed Hi Records band (Teenie, Leroy, and Charles Hodges, along with Howard Grimes and the Memphis horns) in Memphis, TN. Just about all these have been reissued by Severn on "The Memphis/El Paso Sessions." After these early sessions Pride cut albums for Black Gold Records, Curtis Mayfield's Curtom Records, Ichiban, Ice House and most recently for the Maryland based Severn label. "Keep On Believing" surpasses the fine 2002 release, "Words Of Caution", and is surly one of the best soul/blues records of the year.

 Pride is a dynamite soul singer who delivers his songs of heartbreak and romance with unbridled passion and aching vulnerability. Pride mines the same soul/blues territory as Bobby Bland, Z.Z. Hill, Little Milton but also draws deeply from the Hi Records sound embodied by greats like O.V. Wright, Otis Clay and Syl Johnson. The pulsing, funky Hi Records sound seems to be the template here as Pride gets stellar support from the great Willie Henderson who arranged and conducted the killer horn section, labelmate Benjie Poreck on organ, terrific guitar work of Johnny Moeller and some spot on background vocals. Pride excels on a uniformly strong set of originals including the throbbing, funky opener "Midnight Call", a fine remake of his classic "I'm Com'un Home in the Morn'un" and the aching soul ballad "I Want To Hold Your Hand" which brings to mind the great James Carr. Pride takes a harder, grittier approach on the pulsing "Real Deal" and the back alley blues of "Sunrise" featuring some bold T-Bone Walker/Pee Wee Crayton styled fret work from Johnny Moeller. Pride takes a philosophical stance on message songs like the gospel infused "Hold On to Your Dream" and "Love Will Make it Alright" which bears a strong Curtis Mayfield vibe.

 There's a number of fine soul singers on the scene but too many get saddled with poor production and canned instruments. Not only is Lou Pride one of the finest soul singers around he's found a company who won't skimp on the production end. The results speak for themselves on the outstanding "Keep On Believing" which is everything a great soul record should be.

-Check out these related links:
Severn Records Website

(Jeff Harris)





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